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The future is red

Freja Lindholm – Between Silence and Survival

  • Writer: Icarus
    Icarus
  • Jun 18
  • 3 min read

Born: February 28, 2038 – Västerås, Sweden

Education:

– B.A. in International Relations, Uppsala University

– M.A. in Global Governance and Diplomacy, Lund University

Former Positions:

– Policy Officer, Swedish Ministry of Foreign Affairs

– Swedish Ambassador to Uganda

Mars Assignment: Elected President of Asteria in 2084 (Mars Year 64)

Current Role: Head of government and chief diplomatic representative of the Asteria Habitat

Focus Areas: Civil infrastructure, sustainable governance, and community development on Mars

Family: Married, no children


Mars is full of loud names and bold promises. Tech visionaries, political envoys, casino developers, dreamers. But if you ask the long-term residents of Asteria Oasis who held the colony together during its quietest years, most would give the same answer:


Freja Lindholm.


Woman with blue eyes in a beige suit looks at the camera with a calm expression. Soft green background with arched details. Freja Lindholm - director of Asteria Habitat on Mars.
Freja Lindholm

She doesn’t crave the spotlight. And that’s exactly why she belongs there.

Born in central Sweden in 2038, Freja never sought prestige. She studied International Relations at Uppsala University—not Stockholm, not elite. She started as a local government intern in Uppsala, then joined the Swedish Ministry of Foreign Affairs. By her thirties, she had become Sweden’s ambassador to Uganda, where she launched sustainable community projects, supported women-led farming cooperatives, and built scholarship programs.


Then came the call.


The Social Democratic Party asked her to run for President of Asteria—Europe’s first full administrative unit on Mars. At first, she thought it was punishment. “Being sent to Mars” didn’t sound like a promotion. But eventually, she saw it for what it was: a community worth rebuilding.


Today, she is serving her second term.


Profile of a woman with blond hair and neutral expression, standing inside with a large spacecraft visible through a circular window behind her. Freja Lindholm - director of Asteria Habitat on Mars

Asteria hosts 1,500 guests, but only 280 permanent residents. Freja knows them all. The colony is more than a diplomatic outpost—it’s a fading dream being reshaped into reality. Freja doesn’t mourn that. She rewrites it.


She knows she needs others. With Grete Vogel, the connection is seamless, speaking little, acting with precision. Grete runs. Freja runs with her. Maybe it looks like PR, but she genuinely believes in movement—both physical and institutional.


And Emile?


Emile Dufort is the circus. And the circus is necessary. Freja knows: let him take the spotlight, as long as she can disappear behind the curtain after the speeches. She asks for one thing only—don’t turn her into a sideshow. Emile understands.


If you don’t see her on stage, look in the biodomes. She’s often there, kneeling between rows of lettuce, holding a water tester or adjusting a grow light. Not because she trained for it—but because she loves it. Mars-grown plants represent something ancient to her. Survival. Slow growth. Breathing, one day, in a place that never offered air.


Astronaut tending plants in a greenhouse on a red rocky planet. Bright, focused setting. Asteria Habitat on Mars.

People sometimes ask what a former diplomat is doing in Mars dust. Her answer is simple: a village, in need of repair. Freja doesn’t want to rule Asteria—she wants to make it livable again. Behind the lights are the systems: water, air, schools, people. If she can keep those alive, the headlines don’t matter.


Because Freja Lindholm isn’t here to make Martian history.

She’s here to make sure the story doesn’t end.


📖 Read the novel Icarus – the beginning of humanity's new chapter on the Red Planet.👉 https://www.themarschronicles.com/blog/categories/book


Disclaimer: All characters, events, and storylines presented on this website are entirely fictional. Any resemblance to real persons, living or deceased, is purely coincidental. Visual representations of characters were created using AI-generated imagery and are intended solely for illustrative purposes.

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